Review: THE YOUNG OFFENDERS (Empire)

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” Raucously funny and winningly played, this is the best Irish comedy since Sing Street.”

★★★★

Cork scallies Conor MacSweeney (Alex Murphy) and Jock Murphy (Chris Walley) cycle to the coast in search of a washed-up bale of cocaine, only to be pursued by a dogged Garda sergeant (Dominic MacHale) and a disabled drug dealer (PJ Gallagher) with a nail gun.

Only a handful of memorable movies have been filmed in County Cork, but writer-director Peter Foott’s debut deserves to be mentioned alongside John Huston’s Moby Dick, John Roberts’s War of the Buttons, Ken Loach’s The Wind That Shakes the Barley and Neil Jordan’s Ondine. Despite taking its cue from the 2007 seizure off the West Cork coast of a record €440m-worth of cocaine, this freewheeling tale also owes much to such comic pairings as Laurel and Hardy, Craggy Island clerics Ted and Dougal and Lenny Abrahamson’s Dublin wasters, Adam & Paul.

Bonding because everyone else thinks they’re eejits, 15 year-olds Alex Murphy and Chris Walley dream of living in a mansion with topless girls and an English butler. In reality, Walley steals bikes to ease the pain of being abused by drunken father Michael Sands, while Murphy trades insults with widowed mother Hilary Rose, who runs a market fish stall and considers Walley a bad influence on her impressionable son. She’s right to be concerned, as who else would think of cycling 100 miles to Three Castle Head on the off chance of finding a bale of coke washed up from a captured trawler?

Once Murphy and Walley have an idea in their heads, however, there’s no shifting it and Foott follows their misadventures with a wittily non-judgemental empathy, as encounters with sticky lollies and confused chickens preface more menacing confrontations with a jobsworthy cop, a clubfooted drug dealer and a neighbourhood thug. The dialogue is as sharp as Paddy Jordan’s views of the Munster countryside, while the young leads are well worth a re-teaming. But what most impresses is the way Foott nimbly exploits every seemingly insignificant detail in slotting together the hilariously convoluted plot.

Glasgow Film Festival 2016: Winter Review

THIS REVIEW WAS ORIGINALLY PUBLISHED ON FILMANDTVNOW.COM FEBRUARY 2016 (Credit, Rebecca Ryan)

WINTER follows a man (TOMMY FLANAGAN) left devastated after the murder of his wife. After the initial trauma, he develops serious mental health issues which affect his relationship with his two children.

Mental health is not an easy thing to discuss or portray in films, many demonise people who suffer from them, and others make the topic too lighthearted. Winter finds a way to discuss this delicate subject in a mature and fair way. A successful artist’s life is changed forever after his wife is brutally murdered. He slowly breaks down, hearing voices, hallucinating, and drinking heavily to make these effects disappear. His behaviour takes a serious toll on his family, with his youngest son being taken into care and his oldest son trying desperately to keep the family together.

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Tommy Flanagan gives a fantastic performance here as Woods. It’s very difficult to portray someone with mental health issues without going over-the-top or being offensive, but he manages to give a very realistic and sensible performance. Tom Payne also gives a great performance.

Films like Winter will strike a nerve with many people. A lot of people are affected by mental illness in one way or another and Winter does pack an emotional punch. It highlights how mental illness can happen to anyone at any time in their lives, and briefly hints at how ineffective the mental healthcare system can be.

Overall, Winter is an excellent film and will hopefully get distribution after its successful screening at the Glasgow Film Festival. Tommy Flanagan gives a fantastic lead performance and should be considered for lead roles more often. It is not an easy film to watch, but it is well made, well structured, and director Heidi Greensmith has done an excellent job here.

Verdict

☆☆☆☆☆